Next, it is sharp, wide open and is almost free from distortion. Why? Because the rendering is very Leica like: a bit classical, not too clinical, with smooth bokeh and a lot of micro contrast. So the 50 Summicron was a compromise, but it turned out to be the best lens I ever had. I bought my cron for 1350 euros and by now it is almost 2000 euros. If you see them everyday, you’ll finally start to think that 3,5K for a lens actually isn’t that much. I think I was just getting used to the prices of Leica back then. And the 50 Summicron made me take another step back, because I was used to the 50/1.2 from Canon.
With the M9, I already took a step back in the ISO department, compared to my Canon 5D2. I love everything about this picture, including the model…Īctually, I wanted a Summilux, but I thought it was too expensive.